Kay Rosen
Artist's work
Artist Biography
1943 | in Corpus Christi, Texas geboren, |
lebt und arbeitet in Gary, Indiana and New York City. | |
Ausbildung | |
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MA, Northwestern University, Evanston, Illinois. | |
BA, Newcomb College of Tulane University, New Orleans, Louisiana. | |
Indiana University, Gary. | |
The School of the Art Institute of Chicago. | |
Lehrende Funktion | |
Spanisch an der Indiana University, Gary. | |
Kunst am Art Institute of Chicago. | |
Einzelausstellungen (Auswahl) | |
2024 | KAY ROSEN - ICI, Michele Didier, Paris. |
2023 | Kay Rosen. Now and Then, Weserburg Museum für Moderne Kunst, Bremen. |
Kay Rosen. Prints and Drawings, Sikkema Jenkins & Co, New York City. | |
KAY ROSEN. FREE FOOD (for thought), Lora Reynolds Gallery, Austin, Texas. | |
HI, permanent commission, Blanton Museum of Art, Austin, Texas. | |
KAY ROSEN. NEW WORK 2020-2021, Sikkema Jenkins & Co, New York City. | |
2021 | KAY ROSEN. LISTS 1989-2021, Krakow Witkin Gallery, Boston. |
SORRY, a commission by Kay Rosen for the National Gallery of Art, Washington D.C. | |
2020 | Kay Rosen. 202020… Lora Reynolds Gallery, Austin, Texas. |
2019 | One Wall, one work, Krakow Witkin Gallery, Boston. |
2018 | Kay Rosen. Stirring Wirds, Alexander Gray Associates, New York City. |
2017 | Jumbo Mumbo, Lora Reynolds Gallery, Austin Texas. |
H is for House, The Aldrich Contemporary Art Museum, Ridgefield, Conneticut. | |
Kay Rosen, Helga Maria Klosterfelde Edition, Berlin. | |
Kay Rosen. Letterpress Prints, Barbara Krakow Gallery, Boston. | |
2016 | Baroken, Philipp Pflug Contemporary, Frankfurt am Main. |
A Traveling Show. Kay Rosen and Matt Keegan, Grazer Kunstverein, Graz; | |
Contemporary Art Museum Houston. | |
2015 | This Means War..., Ingleby Gallery - Billboard Project, Edinburgh, Scotland. |
MINI/Goethe-Institut, Curatorial Residencies Ludlow 38, New York City. | |
2014 | Map of the World, Art Gallery of New South Wales, Sydney. |
Kay Rosen, Sikkema Jenkins & Co, New York City. | |
Kay Rosen, Galerie Zilberman, Istanbul. | |
2013 | Kay Rosen, Windows, Contemporary Art Gallery, Vancouver. |
2012 | Here Are the People and There Is the Steeple, Christchurch Art Gallery Te Puna o Waiwhetu, Christchurch, Neuseeland. |
Construction Zone, Aspen Art Museum. | |
Kay Rosen, Wide and Deep, Sikkema Jenkins & Co, New York. | |
Mañana Man, Museum of Fine Arts, Boston. | |
2011 | Kay Rosen, On the Off Ramp, Taubman Museum of American Art, Roanoke, Virginia. |
Kay Rosen. Art Loop 2011, Public Commission, State Street, Chicago. | |
2010 | Black and White and Read All Over, Barbara Krakow Gallery, Boston. |
2009 | Kay Rosen. You and Your Landscapes! Galerie Klosterfelde, Berlin. |
2008 | Kay Rosen. Huen, Ingleby Gallery, Edinburgh. |
Kay Rosen. Scareful!, Yvon Lambert Gallery, New York. | |
Kay Rosen. Alone and Together, Yvon Lambert Gallery, Paris. | |
No Noose Is Good Noose, Alexander Gray Associates, New York. | |
2007 | Kay Rosen. Editions and Multiples, Helga Maria Klosterfelde Edition, Berlin. |
2006 | Kay Rosen. Wall Paintings and Drawings 2002-2006, Yvon Lambert Gallery, New York. |
2005 | Gray Kapernekas Gallery, New York. |
Kay Rosen. (No) Comment, Galerie Klosterfelde, Berlin. | |
2004 | Kay Rosen. HALFULL, Recent Wall Paintings and Collages, University Art Museum, University of California, Santa Barbara. |
Kay Rosen. Big Talk, Dunedin Public Art Gallery, Neuseeland. | |
New Word Order. Kay Rosen, Second Street Gallery, Charlottesville, Virginia. | |
2003 | Kay Rosen, The Suburban, Oak Park, Illinois. |
Kay Rosen. Rooms, Galerie Friedrich, Basel. | |
2002 | Kay Rosen. Collages 1999-2002, The Drawing Center, New York. |
2001 | Rooms, Paul Morris Gallery, New York. |
Kay Rosen. Up and Down, Aspen Art Museum. | |
2000 | Paul Morris Gallery, New York. |
Ten in One Gallery, New York. | |
1999 | Kay Rosen. Lifeli[k]e, Museum of Contemporary Art (MOCA) und Otis College of Art and Design, Los Angeles, 25-year survey. |
1998 | Kay Rosen. Girl Talk, Ten in One Gallery, Chicago. |
ABC (At Beaver College), Beaver College Art Gallery (now Arcadia University), Philadelphia. | |
1997 | Kay Rosen. Short Stories/Tall Tales, M.I.T. List Visual Arts Center, Cambridge, Massachusetts. |
Galerie Michael Cosar, Düsseldorf. | |
1996 | Short Stories, Helga Maria Klosterfelde, Hamburg. |
Art. Concept, Nizza. | |
Unlimited Contemporary Art, Athen. | |
1995 | Galerie Erika + Otto Friedrich, Bern. |
Paul Morris Gallery, New York. | |
1994 | Galeria Massimo de Carlo, Milan. |
Kay Rosen. Home On the Range, Museum of Contemporary Art, Chicago. | |
Richard Telles Fine Art, Los Angeles. | |
Kay Rosen. Back Home In Indiana, Indianapolis Museum of Art. | |
1993 | Victoria Miro Gallery, London. |
Feature, New York. | |
1992 | Rhona Hoffman Gallery, Chicago. |
Laura Carpenter Gallery, Sante Fe. | |
Feature, New York. | |
1991 | Shoshona Wayne Gallery, Santa Monica. |
Feature, New York. | |
1990 | Feature, New York. |
Victoria Miro Gallery, London. | |
Witte de With (Center for Contemporary Art), Rotterdam. | |
1989 | Feature, New York. |
1988 | Feature, New York. |
Feature, Chicago. | |
1987 | Feature, Chicago. |
1979 – 1983 | Kay Rosen. Lines On Lines, Bertha Urdang Gallery, New York, 1983. |
Kay Rosen- Stair Walking. Notations/Diagrams, Bertha Urdang Gallery, New York, 1981. | |
Kay Rosen. Photographic Performances, Franklin Furnace, New York, 1980. | |
Kay Rosen. Photo-texts and Performances, Bertha Urdang Gallery, New York, 1979. | |
Gruppenausstellungen (Auswahl) | |
2024 | What Men Live By, Office Baroque, Antwerpen. |
More Than Once. 35 Years of Klosterfelde Edition, Klosterfelde Edition, Berlin. | |
Healing, in memory of Brent Sikkema, Sikkema Jenkins & Co, New York City. | |
2023 | Mosaic, James Barron Art, Kent, CT. |
Twenty-five, Ingleby Gallery, Edinburgh. | |
Wörthersee, Wörtersee, Kunstraum Lakeside, Klagenfurt am Wörthersee. | |
2022 | Material Language, Bonnier Gallery, Miami. |
:What is the Proper Way to Display a Flag?, Weserburg Museum für moderne Kunst, Bremen. | |
2021 | Ideas for Monuments In Homage To Heroines and Unknown Heroes, National Museum of Fine Arts, Buenos Aires. |
Was/Is/Ought, Carrie Secrist Gallery, Chicago. | |
The Flag Project, Rene Schmitt, Berlin. | |
2020 | Catalyst: Art and Social Justice, Gracie Mansion Conservancy, New York City. |
We Fight To Build a Free World. An Exhibition by Jonathan Horowitz, Jewish Museum, New York City. | |
Energy In All Directions, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College Saratoga Springs, New York. | |
When We First Arrived…, The Corner at Whitman-Walker, Washington D.C. | |
Overbooked, Tai Kwun Centre for Heritage and Arts, Hong Kong. | |
2019 | IN/SITU, EXPO, Chicago. |
OVERRIDE, citywide public art initiative, City of Chicago’s Department of Cultural Affairs and Special Events, Chicago. | |
She Persists. A Century of Women Artists in New York, Gracie Mansion/Gracie Mansion Conservancy, New York City. | |
Go With the Flow. Swim Against the Tide, Camberwell Space, Camberwell College of Arts, London. | |
Small Talk, Crystal Bridges Museum of American Art, Bentonville, Arkansas. | |
Zombies. Pay Attention!, Aspen Art Museum. | |
2018 | In Light Of… Chicago Manual Style, Chicago. |
Everything Has Been Done 2, Forde Geneva, Geneva. | |
FRONT International, Cleveland Triennial for Contemporary Art. | |
This Brush for Hire. Norm Laich and Many Other Artists, ICA, Los Angeles. | |
Do I Have To Draw You a Picture?, Heong Gallery, Downing College, Cambridge, England. | |
2017 | An Incomplete History of Protest. Selections from the Whitney’s Collection, 1940-2017, Whitney Museum of American Art, New York City. |
From Christo to Kiefer - The Collection Lambert, Avignon, The Kunstmuseum Pablo Picasso Münster. | |
2016 | (T)here to (T)here, video collaboration with choreographer Liz Gerring, Lincoln Center’s White Light Festival, Barishnikov Arts Center, New York. |
Strange Oscillations and Vibrations of Sympathy, University Galleries of Illinois State University, Normal, Illinois. | |
I-71, Billboard project, Contemporary Art Center, Cincinnati, Ohio. | |
2015 | Colorwheel, Art Gallery of New South Wales, Sydney. |
Artists' Recipes, Publikation von Admir Jahic and Comenius Roethlisberger, Basel. | |
25 Years of Fun, eine Feier zum Anlass des 25-jährigen Geburtstags von Edition Helga Maria Klosterfelde, Berlin. | |
Softly Overripe, Ha Ha Gallery, Southhampton, England. | |
Re(a)d, Nathalie Karg Gallery, New York City. | |
Over and Under, Sikkema Jenkins & Co, New York City. | |
Once Upon a Time and Now, The LGBT Community Center, New York. | |
Assisted, Kavi Gupta Gallery, Chicago. | |
2014 | Take My Word For It, Art Museum an der University of Kentucky. |
I Was a Double, Tang Museum at Skidmore College, Saratoga Springs, New York. | |
The I-70 Sign Show, Highway I-70 in der Nähe von Columbia, Missouri. | |
2013 | Entropy, Galeri Zilberman, Istanbul. |
Signs and Messages II, Kate MacGarry, London. | |
Chick Lit, Tracy Williams Gallery, New York. | |
The Cat Show, White Columns, New York. | |
PROCHOICE, Fri-Art Centre d'art Contemporain de Fribourg, Fribourg. | |
Auf Zeit Wandbilder-Bildwande, Kunsthalle Bielefelde, Bielefeld, in Kollaboration mit der Kunsthalle Baden-Baden. | |
ABCDEFGHI, Marabouparken Konstall, Sundbyberg, Schweden. | |
Semicolon Hyphen Bracket, MKG127 Gallery, Toronto. | |
2012 | Beasts of Revelation, DC Moore Gallery, New York City. |
Literature Language Word, Honolulu Museum of Art. | |
==, mfc-michèle didier gallery, Paris. | |
Don't Smile, Kunstmuseum Liechtenstein, Vaduz. | |
Girl Talk. Women and Text, CAM Raleigh, Raleigh, North Carolina. | |
Ecstatic Alphabets/Heaps of Language, Musuem of Modern Art, New York. | |
Postscript, Denver Museum of Contemporary Art. | |
2011 | “Brainbodygame” Rhona Hoffman Gallery, Chicago. |
About Painting, ABC Art Berlin Contemporary. | |
In Other Words, Lewis Glucksman Gallery, University College Cork. | |
Seeing Is a Kind of Thinking. A Jim Nutt Companion, Museum of Contemporary Art, Chicago. | |
Gravity’s Rainbow, Ingleby Gallery, Edinburgh. | |
Playtime, LAC - Lieu d'Art Contemporain Narbonne. | |
Mixed Messages, La Mama La Galleria, New York. | |
De-Building, Christchurch Art Gallery Te Puna o Waiwhetu, Christchurch. | |
2010 | Third Thoughts, CCA Andratx, Mallorca. |
We Between the Lines, Morgan Lehman Gallery, New York City. | |
Che Cosa Sono Le Nuvole?, (The Enea Righi Collection), Museion, Bolzano, Italien. | |
A to B, MKG127, Toronto. | |
2009 | Learning Modern, Sullivan Galleries, The School of the Art Institute of Chicago. |
Just What Are They Saying?, Jonathon Ferrara Gallery, New Orleans. | |
Rich Text, Fleisher-Ollman Gallery, Philadelphia. | |
Broken Thorn, Sweet Blackberry, Sikkema Jenkins Gallery, New York. | |
2008 | Archeology of Longing, Kadist Art Foundation, Paris. |
Political Corect, Blondeau Fine Art Services, Genf. | |
Idiolects, Brown Gallery, London. | |
In the Beginning. Artists Respond to Genesis, Contemporary Jewish Museum, San Francisco. | |
Always There, Max Hetzler Gallery, Berlin. | |
Prospect .1, New Orleans. | |
2007 | La parola nell'arte, Mart–Museo di Arte Moderna e Contemporanea di Trento e Rovereto. |
Words Fail Me, Museum of Contemporary Art Detroit (MOCAD). | |
Emerging Wor(l)ds, Billboard Projects for Tina B.– The Prague Contemporary Art Festival 2007, Prag. | |
Sign Language, Des Moines Art Center Downtown. | |
Been Down So Long It Looks Like Up To Me, Presentation House Gallery, Vancouver. | |
numerica, Palazzo delle Papesse - Centro Arte Contemporanea, Siena. | |
2006 | Gaylen Gerber, Foundation Musee d'Art Moderne Grand-Duc Jean, Luxemburg. |
40th Anniversary Exhibition, Yvon Lambert Gallery, Paris. | |
No Lemons, No Melon, David Krut Projects, New York. | |
Under the Skin. Tattoos and American Culture, Asheville Art Museum, North Carolina. | |
Looking at Words. The Formal Presence of Text in Modern and Contemporary Works on Paper, Andrea Rosen Gallery, New York. | |
General Ideas, CCA Wattis Institute for Contemporary Arts, San Francisco. | |
A Thousand Words, Inman Gallery, Houston. | |
Navy Pierwalk 2005, Chicago. | |
Very Early Pictures, Luckman Gallery at California State University, Los Angeles; Arcadia University Art Gallery, Philadelphia. | |
How To Read, Teil der "Collection Remixed", The Bronx Museum of the Arts, New York. | |
The Vinyl Project, Cork 2005, Cork, Irland. | |
Situation Comedy, Reiseausstellung für Independent Curators Incorporated. | |
2004 | Between Letters and Abstraction, 3°W Gallery, Wordsworth Trust, Grasmere, England. |
Unclosed Stories, Unlimited Contemporary, Athen. | |
Disturbing the Peace, Danese Gallery, New York. | |
The Center Is Anywhere, Museum of Contemporary Art, Chicago. | |
2003 | Dark Companion, Unlimited Contemporary Art, Athen. |
Back in Black, Cohan, Leslie, & Brown Gallery, New York. | |
The Greatest Album Covers That Never Were, Track 16 Gallery, Santa Monica. | |
2002 | Art Basel Miami Beach, Artists Projects. |
Interstate (Fehrer, Moffet, Rosen, Villareal), Texas Fine Arts Association, Austin. | |
Between Language and Form, Yale University Art Gallery, New Haven, Connecticut. | |
Henrik Olesen, Gabriel Orozco, Kay Rosen, Arbeiten auf Papier, Galerie Helga Maria Klosterfelde, Hamburg. | |
Words In Deeds, Portland Institute of Contemporary Art(PICA), Oregon. | |
2001 | The Game Show, Massachusetts Museum of Comtemporary Art. |
Extra-Art. A Survey of Artists' Ephemera 1960-1999, California College of Art and Crafts, San Francisco; Reiseausstellung nach Minnetonka Art Center, Minneapolis & ICA, London, 2002-2003. | |
Textual Operations, White Box, New York. | |
Drawing On Language, Spaces, Cleveland. | |
Pictures, Patents, Monkeys, and More On Collecting für Independent Curators Inc, New York. | |
2000 | *Biennial Exhibition 2000, Whitney Museum of American Art, New York. |
Errant Gestures, Apex Gallery, New York. | |
Words-Objects-Acts, Museum of the City of Skopje, Makedonien. | |
Art On Paper, Weatherspoon Art Gallery, Greensboro, North Carolina. | |
1999 | Billboard: Art On the Road, Eröffnungsausstellung im Massachusetts Museum of Contemporary Art (Mass MoCa), North Adams. |
Kunst in der Stadt III, mit Gaylen Gerber, Kunsthaus Bregenz. | |
Word, Museum of Contemporary Art, Sydney. | |
Points of Departure. Art On the Line, Main Line train stations site-specific projects, Philadelphia. | |
The Sea, The Sea, Murray Guy, New York. | |
Wallpaintings, Galerie Helga Maria Klosterfelde, Hamburg. | |
1998 | In the Beginning, Murray Guy, New York. |
Video Library, David Zwirner Gallery, New York. | |
A To Z. Language To Be Looked At and/ or Things To Be Read, The Approach, London. | |
Editions. General Idea, Christian Jankowski, Kay Rosen, Helga Maria Klosterfelde, Hamburg. | |
Pierre Molinier, Kay Rosen, Kara Walker, Wooster Gardens (Brent Sikkima), New York. | |
1997 | Critical Images. Conceptual Works from the 1960s to the Present, Leslie Tonkonow Gallery, New York. |
Point Mort, Art Concept, Paris. | |
1996 | Art In Chicago. 1945-1995, Museum of Contemporary Art, Chicago. |
Small Scale, Joseph Helman Gallery, New York. | |
Varietes, Le Capiton. Art Contemporain Frejus. | |
Thinking Print. Prints and Illustrated Books 1980-1995, Museum of Modern Art, New York. | |
50x50x50, Answering Machines at various sites, London. | |
Second Sight. Modern Printmaking in Chicago, Block Gallery, Northwestern University, Evanston, Illinois. | |
1995 | Temporarily Possessed. The Semi-Permanent Collection, The New Museum of Contemporary Art, New York. |
Word for Word, Beaver College Art Gallery, Glenside, Pennsylvania. | |
Five Words or Less, Museum of Modern Art, Melbourne. | |
On Target, Horodner Romley Gallery, New York. | |
Altered States, Forum, St. Louis. | |
Pittura-Immedia. Painting in the 90's, Neue Galerie and Künstlerhaus, Graz. | |
Zimmerdenkmaler, (Room Movements), verschiedene öffentliche Plätze in Bochum. | |
1994 | Korrespondenzen/Correspondences, Berlinische Galerie, Martin Gropius-Bau, Berlin und Chicago Cultural Center. |
Synesthesia. Sound and Vision In Contemporary Art, San Antonio Museum of Art. | |
The Use of Pleasure, San Francisco. | |
1993 | Beyond Loss. Art in the Era of AIDS, Washington Project for the Arts, Washington D.C. |
Post-Dialectical Index, Piazza Costanza, Trieste; La Tuatta Studio, Milan; Horodner Romley Gallery, New York. | |
Substitute Teachers, Sadie Bronfman Cultural Center, Montreal. | |
Legend in My Livingroom, Rhona Hoffman Gallery, Chicago. | |
1992 | Small Talk, P.S.1 and Postmasters Gallery, New York. |
Painting Culture, University of California Irvine. | |
Why Paint?, Renaissance Gallery at the University of Chicago. | |
1991 | Manum de Tabula, Shedhalle, Zürich. |
At the End of the Day, Randy Alexander Gallery, New York. | |
Candy Ass Carnival (When Good Things Happen to Loozers), Stux Gallery, New York. | |
Just What Is It That Makes Today's Homes So Different, So Appealing?, Hyde Collection, Great Falls, New York. | |
Awards in the Visual Arts X, Hirshhorn Museum, Washington D.C.; Albuquerque Museum; Toledo Museum, Ohio. | |
A New Low, Claudio Botello Gallery, Turin. | |
Something Pithier and More Psychological, Simon Watson Gallery, New York, und Bloom Gallery, Los Angeles. | |
Artists in Words and #s, Wright State University Museum of Contemporary Art, Dayton, Ohio. | |
1990 | Word As Image. American Art 1960-1990, Milwaukee Art Museum; Oklahoma City Art Museum; Contemporary Arts Museum, Houston. |
Art Against AIDS- On the Road, Chicago. | |
Broken Lines, Victoria Miro Gallery, London. | |
Your Message Here, (Billboard Exhibition), Randolph Street Gallery, Chicago. | |
The Clinic, Simon Watson Gallery, New York. | |
1989 | AIDS. A Time Line 1979-1990, Matrix Program at University Museum, University of California, Berkeley; Wadsworth Atheneum, Hartford, Connecticut. |
1991 | Whitney Biennial. |
Problems With Reading Rereading, Rhona Hoffman Gallery, Chicago. | |
The Center Show, The Lesbian & Gay Community Services Center, New York. | |
1988 | From Right to Left, Churchman Fehsenfeld Gallery, Indianapolis. |
Contention, New Langton Arts, San Francisco. | |
Brave and Cruel, (Hudson, Lafreniere, Rosen), Randolph Street Gallery, Chicago. | |
Text Does Not Explain, Stux Gallery, Boston. | |
The Language of Form, The Form of Language, Rosa Esman Gallery, New York. | |
Romantic Distance, Jeffrey Neal Gallery, New York. | |
1987 | Wet Paint, Robbin Lockett Gallery, Chicago. |
Summer Group Show, American Fine Arts Gallery, New York. | |
Non-Spiritual In Art. Abstract Painting From 1985-?, Chicago. | |
1986 | Cryptic Languages, Washington Project for the Arts, Washington D.C. |
Spiritual America, CEPA Gallery, Buffalo, New York. | |
Promises, Promises, Feature, Chicago and C.A.G.E., Cincinnati. | |
1984 | Indiana Influence, Fort Wayne Museum of Art, Inaugural Exhibition, Indiana. |
1982 | Artists Tribute to Bertha Urdang, Israel Museum, Jerusalem. |
Tracking, Tracing, Marking, Pacing, Pratt Manhattan Gallery, New York; Sherman Gallery, Ohio State University; Anderson Gallery, University of Richmond; Washington Project for the Arts, Washington D.C. | |
1981 | Bookworks. New Approaches to Artists Books, Franklin Furnace, New York. |
Ikons/Logos. Word As Image, Alternative Museum, New York. | |
1980 | New Dimensions Time, Museum of Contemporary Art, Chicago. |
1979 | Midway Between Comedy and Art, Midway Studios, University of Chicago. |
1978 | Daley's Tomb, N.A.M.E. Gallery, Chicago. |
1977 | All Over the Place, Moming Dance Center, Chicago. |
Ehrungen | |
2017 | John Simon Guggenheim Fellowship in Fine Arts. |
2014 | Artist Award for a Distinguished Body of Work, presented by the CAA (College Art Association). |
2013 | S.J. Weiler Fund Award. |
2009 | Anonymous Was a Woman Foundation Grant. |
1995 | National Endowment for the Arts Visual Arts Grant. |
1990 | Award in the Visual Arts 10 Fellowship. |
1989 | National Endowment for the Arts Visual Arts Grant. |
1987 | National Endowment fot the Arts Visual Arts Grant. |
Werke in öffentlichen Sammlungen (Auswahl) | |
Art Institute of Chicago, Chicago, Illinois. | |
Art Gallery of New South Wales, Sydney, Australia. | |
Indianapolis Museum of Art. | |
Israel Museum. | |
The Jewish Museum, New York City. | |
Collection Lambert, Avignon, France. | |
Metropolitan Museum of Art, New York. | |
Museum of Contemporary Art, Los Angeles. | |
Museum of Modern Art, New York City. | |
Collection of Clayton Press and Gregory Linn, New Jersey. | |
Progressive Corporation, Cleveland, Ohio. | |
Whitney Museum of American Art. |